Glenn Bennie Melbourne, Australia
From Underground Lovers, Melbourne.
Instrumental experiments made in the spare bedroom.
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supported by 27 fans who also own “Hold”
Really enjoying this new album, Glenn and all. Congratulations. There's an easeful confidence about it that makes you feel good about life, despite the crap that's going on with the world. "This is the future calling" is my fave track right now.
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supported by 23 fans who also own “Hold”
The Undies dip into the past and sparkle up remixes which have been idle for far too long. Part A of this collection features reworkings which were ahead of the game. Part B is the now, bringing new interpretations to more recent sounds. A bit of dance, a bit of ambient, a bit of orchestral splash. Everything just flows together, like it always does, even the new stunning track. A triumph for one continuous listen and perfect to come back to, again & again.
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supported by 22 fans who also own “Hold”
Let's just park the argument that many of these songs should have been on albums. They are B-sides. They hint at what is likely to come. They are misfits, not fitting in with the majority. They are fun, when the pressure of completing an album is over. Light and shade combined. Most of all, they are typical Undies. A strong barometer of the sound, the spirit and the groove. A must listen. (BTW, Sue is alright).
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Far East melodies wind amidst crackling rhythms and cloudlike keys on the new one from Hualun.
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aswekeepsearching, who featured in our story on post-rock in India, shift gears to offer an album of rich, swirling ambient music.
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El Arte de lo Posible
by Fer Isella
Improvisations with sound artist Ulises Conti spurred this Argentinian composer to write these adventurous, reflective piano pieces.
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supported by 14 fans who also own “Hold”
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