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T-8 Escape
05:44
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2. |
Ticking Mind
02:46
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Forced Calm
04:06
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Silver Baby
03:09
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Glenn Bennie Melbourne, Australia
From Underground Lovers, Melbourne.
Instrumental experiments made in the spare bedroom.
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supported by 18 fans who also own “T-8 Escape”
Really enjoying this new album, Glenn and all. Congratulations. There's an easeful confidence about it that makes you feel good about life, despite the crap that's going on with the world. "This is the future calling" is my fave track right now.
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supported by 12 fans who also own “T-8 Escape”
The Undies dip into the past and sparkle up remixes which have been idle for far too long. Part A of this collection features reworkings which were ahead of the game. Part B is the now, bringing new interpretations to more recent sounds. A bit of dance, a bit of ambient, a bit of orchestral splash. Everything just flows together, like it always does, even the new stunning track. A triumph for one continuous listen and perfect to come back to, again & again.
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supported by 11 fans who also own “T-8 Escape”
Let's just park the argument that many of these songs should have been on albums. They are B-sides. They hint at what is likely to come. They are misfits, not fitting in with the majority. They are fun, when the pressure of completing an album is over. Light and shade combined. Most of all, they are typical Undies. A strong barometer of the sound, the spirit and the groove. A must listen. (BTW, Sue is alright).
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Cinematic dark ambient music from Melbourne artist Claire Deak that summons shadowy worlds full of mystery & intrigue.
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Today Until Tomorrow
by Various Artists
This stunning ambient compilation is designed to be played over the course of a single day; proceeds go to Music Declares Emergency.
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Misty Memories
by From Overseas & City of Dawn
Tape and guitar loops combine to create mesmerizing atmospherics, like watching the Northern Lights ripple in the sky.
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Before and After Eno
by The Same Same
supported by 11 fans who also own “T-8 Escape”
A strong and successful collection, more than a labour of love or a curiosity. The SameSame have a deep musical knowledge of Eno's catalogue, high standards, and bring a sideways, indeed oblique, freshness to these songs. "Dead Finks" occupies a more settled yet different space. "Golden Hours" is utterly engaging. "Julie With" suddenly has touches of menace added to its wistfully mythical laconic pastoralism. Well done!
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